Goya the naked maja
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Picasso Black And White
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Web gallery of art
The Spanish Inquisition subsequently questioned Goya in and demanded to know for what reason he had painted them. Goya had developed a most productive artistic relationship with him at the time. In this piece the setting and pose are identical but the subject is fully clothed. It is commonly alleged that Goya sought to create companion paintings, either in the style of Titian , whose Venus and Adonis complements the Dana when the two are placed face to face, or along the lines of Juan Carreno's Monstruas Museo Nacional del Prado, Madrid , naked and clothed. She exposes herself without modesty, her arms behind her head, her pubis the center of the composition. In the painting was in the collection of Prime Minister Manuel de Godoy. Goya jettisons "excuses" for the nude. Goya's skill is obvious in this painting, as well as in the Maja vestida, where the play of cold light and subtle shadow shape the figure with absolute assurance. The Burial of the Sardine. But this Ariadne is awake, and fixes her gaze directly on the observer, thus transforming the encounter between them in an erotic occasion,. Though the canvases have aroused the curiosity of numerous scholars, the Inquisition's questions remain unanswered since the early nineteenth century We do not know who commissioned the paintings. Baticle proposes Pepita Tudo, Godoy's mistress, as the most likely model, claiming that her head was refashioned in , when Godoy wed the countess of Chinchon. The paintings are commonly presented as a pair and were commissioned at the same time. From that time until the present day it has been on display in the Prado Museum, Madrid. The painting still upset many members of the church whilst also causing a sensation among public viewers.
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